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The simple task of moving a 3D camera around a viewport is not immediately intuitive. I’ve used almost every 3D animation program for previs and all of them have a steep learning curve. While it is technically a game made with Unreal Engine and sold on Steam, it is really an app that uses familiar ‘game mechanics.’ Matt Workman: My main goal with Cine Tracer is to make it simple to learn and fun to use/play. After a few weeks of tinkering I was hooked with being able to work in real time and I spent the last year of my life dedicated to building what is now Cine Tracer.ī&a: Can you describe, from an overall point of view, how a player plays Cine Tracer? What things did you keep considering, as you’ve been developing it, to make sure it stayed fun, and like a game? It did really well, for a very niche market, but the high prices of the DCC kept it from being main stream.Ībout a year and a half ago Epic Games approached me and asked if I would be interested in porting Cine Designer into Unreal Engine. Five years ago I stared a company called Cinematography Database and sold a Cinema 4D previs plug-in called Cine Designer. One day I decided that I wanted to be able to my own ‘Production Previs’ and I started to work in SketchUp and Maya. Matt Workman: I worked as a commercial cinematographer in NYC for 10 years and by the end, I was working a lot VFX heavy projects.
Here Matt outlines exactly what Cine Tracer is, why he built it, and why the ‘game’ is already being utilized for actual production planning.ī&a: Why did you make Cine Tracer? What was it in your previous work or wish list for a game that made you jump into it?
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That’s what Matt Workman, the founder of Cinematography Database, has also done with Cine Tracer, a real-time cinematography simulator made in Unreal Engine and available on Steam. These tools and techniques are being directly used on television, commercials, and films – the best tools replicate the real-world cinematography experience. There’s a lot of buzz about virtual production and real-time game engines right now. #vfxtoolsweek is brought to you by cineSync. These infrequent sponsored emails help us to provide our Xpresso newsletter for free.Get in there and visualize real-world filmmaking now. Follow the links in the newletter footer.Īdditional Opt-In Content From Architosh.Įmails on relevant new technologies and special offers just for Xpresso readers, only from our trusted partners.
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To learn more and read the full report click here.
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And on Windows users can plop in a Radeon Pro WX 9100, WX 7100 or Radeon Pro SSG graphics cards.
On macOS, the AMD ProRender technology utilizes the Radeon GPUs built into the current generation iMac computers, 15-inch MacBook Pro, and the iMac Pro workstation. Adding a second 9100 to the external box will reduce the render time again by half.
Radeon RenderPro will utilize both the internal AMD GPU on the latest MacBook Pro and the Radeon Pro WX 9100, in an external box. Adding just one external GPU to a 15-inch MacBook Pro, for example, will reduce the render times by about 1/5 – 1/6 the render wait time.
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If you are using an Apple Mac computer like the iMac or MacBook Pro laptop you want to connect an external GPU box like the Sonnet eGFX series to get the best bang for your buck.
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Running Maxon’s award-winning Cinema 4D R20 software on either macOS or Windows, your solution ideally should support multiple GPU computers. 01 – AMD has released a new supplement on the Radeon ProRender technology working with Maxon’s Cinema 4D.
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